Thursday, September 30, 2010

012. Creation Of Man And Woman. Kahlil Gibran. Recast In The True Poetic Form By P S Remesh Chandran

012.
The Creation Of Man And Woman. Kahlil Gibran. Recast In The True Poetic Form By P S Remesh Chandran
 
Editor, Sahyadri Books & Bloom Books, Trivandrum

By PSRemeshChandra, 8th Apr 2011 [30th Sep 2010]





Kahlil Gibran is mistakenly considered to have written his poems in free verse or blank verse but actually he was hiding his exquisite tunes behind a mask, so that the dull wits and half wits of his times won't attempt to sing them. Songs from his immortal work Tears And Laughter are fine examples of a poet locking out his lines. Two poems from Tears And Laughter, Creation Of Man and Creation Of Woman are presented here, slightly edited and recast in the true poetic form by P. S. Remesh Chandran.

A poet suspected of hiding exquisite tunes behind a mask of blank verse.


Statue of Eve in Eve Fountain, St.Petersberg.

Kahlil Gibran was a U.S- Arabic- Lebanese poet who thrilled the world with exotic tunes and captivating ideas common to all Arab and Persian poets. This wonder that was Gibran brought excellent imagery unheard of and unthought-of of before to the pages of English poetry. His poems have been a source of unending inspiration to poets and poetry appreciating public alike. He is widely accepted as a writer of what is called free verse, blank verse or prose-poems. Considering the sweetness and mellowness of his lines, it is improbable that his mind had not been impregnated with some heavenly music at the time he wrote these lines. His poems can be compared only to such brilliant and musically inspired Persian poets as Gulchin, Sana'i, Rumi, Nizami, Jami, Hafiz, Amir Khusrau, Firdausi and of course Omar Khayyam. So it was only natural there was a hilarious tune concealed behind each song and poem written by Kahlil Gibran. In almost all his poems can be found traces of slight reference to brilliant geniuses being ignored, neglected or condemned by the half wits and the jealous of their times. Thus we come to guess that Kahlil Gibran hid his exquisite tunes behind a mask of blank verse so that the dull wits and half wits of his times won't attempt to sing them.

Statutory Warning: Whoever goes after Gibran will have to suffer the same fate depicted in his poems.


Creation of the world. Painting by Brueghel.

It has been a challenge to music and poetry appreciators all over the world to rediscover the tunes hid by Gibran in his songs. A Dialectical Metaphysicist himself, some uncanny mystic fate surrounded and enveloped his poems which made them immune to unripe persons. Whoever went after Gibran to find out the hidden music in his poems had to suffer and undergo the same misery, poverty, isolation, neglect and suppression depicted by the poet in his poems. That is why those tunes and versifications which were discovered earlier never came out to the printer's press. The strike of fate on those unfortunates who attempted to recast his poems earlier might have been such forceful and complete that they never could have risen again in their lives. Recasting Gibran poems to bring out the rich musical content in them is easy, but surviving and surpassing the fatal strikes extended from the mystic hallo surrounding each poem is not at all easy. This author also did not escape unscathed. Someday I wish to write about my horrible experiences. And I hope someday the results of those other attempts would come to daylight and be published. When Gibran in one of his poems wrote about manuscript pages of the dying poet blown away to future generations by the wind, no one thought it to be a key to the mysticism surrounding the real life of this magical poet.

Dedicated to those who attempted Gibran poems earlier, but did not escape unscathed.


Created the Garden of Eden for housing man.

Tears And Laughter is one of the immortal works of Kahlil Gibran, the others being The Broken Wings and The Prophet. All poems in these works are good to be read and sung. Poems from Tears And Laughter have since been slightly edited and recast in the true poetic form by P.S.Remesh Chandran, Editor, Sahyadri Books & Bloom Books, Trivandrum. The following songs from this book are now released online so that all the world may sing them and enjoy them. Hope copyright restrictions if any won't hamper the zeal of the world and dampen the cherished wish of Gibran Fans in all countries. This work is dedicated to those creative minds from all corners of the world who attempted recasting Kahlil Gibran poems earlier, but did not survive the mystic and fatal blows from the poems.

The Creation Of Man
The Creation Of Woman
A Poet's Death Is His Life
Song Of The Rain
Song Of The Wave
A Lover's Call






 
Someone someday somewhere will recast all Gibran poems to bring out the rich musical content in them.


Paradise painted in oil by Brueghel.

It is hoped that Kahlil Gibran's other works will also be brought out in the true poetic form by others elsewhere. In coming years, recasting of more songs in Tears And Laughter will be undertaken and published. Beautiful orchestrations also will be made which finally will show to the world what a U.S- Arabic- Lebanese combination means. Sahyadri Books & Bloom Books, Trivandrum presents the first song in this series, The Creation Of Man before the poetry-appreciating public.


1. Creation Of Man. The Poem Recast.


After creation, man was shown to other creatures.


Furnace of Anger gave consuming fire,
Desert of Ignorance gave searing wind,

The shore of Selfishness sharp-cutting sand,
And feet of Ages coarse earth from under.

Combining them God fashioned Man and gave
To him a blind power, raging and driving

Him into madness which extinguishes
Only before gratification of Desire,

And placed in him Life which is the spectre of Death.
God laughed and cried, felt overwhelming Love

And Pity, and beneath his guidance sheltered Man.
Burning fire in one eye, rolling ocean in the other.





God created man out of fire, wind, sand and earth provided by anger, ignorance, selfishness and ages respectively, leaving no mighty element untouched and unutilized for his creation. It was expected that the raging blind power blown into him would drive him into his inborn madness which would extinguish only upon attainment of gratification of his desire, consuming him finally. That was the scheme. Desire was invented and designed for him, and placed in him naturally. Then God placed life in him which is in fact a manifestation and the haunting ghost-like presentiment of death. God knew that man would die someday which man alone did not know until he ate the fruit, lost his innocence and divined the ultimate knowledge of life and death. The instant he ate the fruit, the first dead leaf fell in the garden. God did see in advance his creation going after gratification of his desire and after a brief span of life, lying somewhere dead and still. That was why he laughed and cried at the same time, feeling overwhelming joy and pity for this doomed fragile creation, and decided to stay with him and to protect him under his guidance like a child who will never grow.


2. Creation Of Woman. The Poem Recast.


Woman created in elegance in the garden.

God separated Spirit from himself,
Fashioned it into Beauty and showered upon

All blessings of gracefulness and kindness
And gave the cup of Happiness and said:

"Drink not from this cup unless you forget past
And future, happiness but this moment."

He also gave a cup of Sorrow and said:
"Drink from this cup and you will understand

The meaning of the fleeting instants of
The joy of life, for Sorrow ever abounds."



Versification and orchestration of Gibran poems will become the most pleasant verbal exercise in future.

 

Expulsion from home: the price of sin and learning.
These slightly edited and recast poems of Kahlil Gibran are the first of its kind that got published ever. Only a mind perfectly thrilled at creating such perfect and exquisite tunes can write those lines. It is theorized that Gibran wrote them in this exact way, and then to mislead readers, he rearranged his lines to make them look like blank verse. Considering the majesty and loftiness of his theme, it is not unlike him to disguise his poetry in this manner and divert readers from the dazzling glory of divinity. Many poets like Rabindranath Tagore and Sarojini Naidu also have successfully locked their lines before appreciators. It is contextual to note that these two poets were admirers of Kahlil Gibran. To perfectly appreciate their poems, the readers will have to unlock or rediscover their original writing. Readers, learners and researchers are advised to read the original blank-verse text of Gibran as well. It is hoped that more Gibran poems will be recast to bring out the rich musical content in them. Versification of Kahlil Gibran poems and orchestrating them in their original tunes will become the most pleasant verbal exercise in future in the English speaking Arab world.


Note


What Gibran wrote, he experienced. Not that what Gibran experienced, he wrote. Poetry should be fact melted down in philosophy. Philosophy is to be derived by an individual from the experience he gains. Therefore, a person who writes philosophical poems incommensurate with his age, without adequate back support of experience, will be forced to experience the very things he wrote. That is Nature's balancing. The author and the commenter of this article has undergone this trial and punishment for attempting works unbecoming of age. It happened so in regard to my own literary creations. Regarding the additional punishment I have had to bear for recasting Gibran poems, I have decided to write about it in detail sometime, if allowed. One thing is certain. Kahlil Gibran wrote superb philosophical poems which fitted not his age. And he escaped from experiencing the very things. So the gravity of the residual energy envelops the poems like a black hole, draining the energy of all who deal with those poems. There have been equally disturbing stories about Shakespeare's certain plays which cause untoward incidents at wherever they are acted. The last time I heard, it was a chandelier that broke down from the roof and fell 'accidentally' on the stage.

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Pictures Courtesy: Wikimedia Commons
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Tags


Arabic Poets, English Language, English Literature, English Poems, English Songs, Kahlil Gibran, Lebanese Poets, P S Remesh Chandran, Poem, Poetry, Sahyadri Books And Bloom Books Trivandrum, Sahyadri Books Bloom Books, Tears And Laughter, The Creation Of Man, U S Poets

Comments
Rathnashikamani
20th Jun 2011 (#)
PSRemeshChandra,
You're to Kahlil Gibran, what T.S. Eliot was to John Donne.

About the Author P. S. Remesh Chandran: 

Editor of Sahyadri Books & Bloom Books, Trivandrum. Author of several books in English and in Malayalam. And also author of Swan: The Intelligent Picture Book. Born and brought up in the beautiful village of Nanniyode in the Sahya Mountain Valley in Trivandrum, in Kerala. Father British Council trained English teacher and Mother University educated. Matriculation with distinction and Pre Degree Studies in Science with National Merit Scholarship. Discontinued Diploma studies in Electronics and entered politics. Unmarried and single. 

Author of several books in English and in Malayalam, mostly poetical collections, fiction, non fiction and political treatises, including Ulsava Lahari, Darsana Deepthi, Kaalam Jaalakavaathilil, Ilakozhiyum Kaadukalil Puzhayozhukunnu, Thirike Vilikkuka, Oru Thulli Velicham, Aaspathri Jalakam, Vaidooryam, Manal, Jalaja Padma Raaji, Maavoyeppoleyaakaan Entheluppam!, The Last Bird From The Golden Age Of Ghazals, Doctors Politicians Bureaucrats People And Private Practice, E-Health Implications And Medical Data Theft, Did A Data Mining Giant Take Over India?, Will Dog Lovers Kill The World?, Is There Patience And Room For One More Reactor?, and Swan, The Intelligent Picture Book. 

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E-Mail: bloombookstvm@gmail.com
 
Post: P. S. Remesh Chandran, Editor, Sahyadri Books, Trivandrum, Padmalayam, Nanniyode, Pacha Post, Trivandrum- 695562, Kerala State, South India. 




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